We don't do stars...
We don't do thumbs...
We read children's books and grade them in 10 categories:
literary quality
plot
voice
originality
descriptive ability
humor (if attempted)
illustrations (if present)
believability of characters
believability of situations
overall reading enjoyment

There is no grading curve. There are no points for classroom participation. There is no extra credit.
If you disagree, come speak to us after class.

The Grading System

A+.....this means (guess what) we think it's great. So great it surprised even us.
A.....this means it's pretty darn good. A book we'd recommend to just about everyone we know.
B.....better than most. Not exactly Shakespeare for kids, though, if you get our drift.
C.....mediocre. Like the color beige, it didn't stand out.
D.....we didn't like it. There were more bad aspects than good ones.
F.....it reeked of badness. We read it over and over when we are in dire need of hysterical laughter.
F-.....We're pretty sure Dante had a circle of hell for the people who wrote these...and a lower circle for those who published them.

Sunday, April 18, 2010

Reporter's Review: Crunch, by Leslie Connor

Harper Collins (Katherine Tegen Books), March 30, 2010
Overall Grade: A+


When his parents get stuck miles away from home due to a worldwide gas shortage, it's up to Dewey Marriss to run the family's bike shop. But with the sudden demand for bicycle repairs, this proves to be no easy task... Between the heavy workload, the fear of a thief, sibling conflicts, Dewey has a lot working against him--but luckily he has the love of family, the support of friends, and even the unexpected help of a stranger working for him.
Crunch is amazing. It's that simple. Rarely do you find a story with such great family interaction--and the ones that come to mind are already greats: the stories of Elizabeth Enright, Eleanor Estes, Jeanne Birdsall... Despite some mentions of technology, Crunch is sure to join them on the classic shelf, because it feels timeless. Dewey's voice is marvelous and believable, and his predicament is well developed through a character-driven plot.
I'm expecting to see this story come up on a lot of Newbery discussions.

Literary Quality: A
Plot: A- (It is simple, but very well-ordered)
Voice: A+
Originality: A+
Descriptive Ability: A
Humor: A
Illustrations: n/a
Believability of Characters: A+
Believability of Situations: A
Overall Reading Enjoyment: A+

Possibly objectionable topics*: some mild language

Reporter's Review: Princess for Hire, by Lindsey Leavitt

Disney, Hyperion, March 2010
Overall Grade: A

Desi makes a wish: she wants to make an impact. An Audrey-Hepburn-in-a-movie kind of impact. And being as gorgeous as Audrey wouldn't hurt either. But she didn't expect her wish to be answered by a sort of technologically advanced fairy godmother with crazy-colored hair who offers her a chance to be a stand-in princess. Basically, when Desi applies a magical rouge to her cheeks, she takes on the appearance of any princess who has applied for her help. No problem, right? Oh, come on, you're intelligent readers: of course there's a problem. But I'm not going to tell you.
What I will tell you is that Princess for Hire was funny, cute, wonderfully readable and enjoyable, and that I can't wait for it to be made into a movie. More specifically, the main character was exceptionally well-created and believable, every scene was very visual, and the structure was excellent. I know it seems weird to make a point of the structure, but seriously, it stood out as well done. My one complaint--or perhaps just a pet peeve--is the openness of the ending. I'm kinda picky in that I like everything wrapped up, tied with a bow, with a gift tag on the side...you get the idea. That said, this is the first in a series...and it's a series that I will definitely be following.

Literary Quality: B
Plot: A+ (Extremely well-structured)
Voice: A
Originality: A
Descriptive Ability: B+
Humor: A
Illustrations: n/a
Believability of Characters: A+
Believability of Situations: A
Overall Reading Enjoyment: A+

Possibly objectionable topics*: a little kissing

Wednesday, April 7, 2010

Author Interview: Christina Diaz Gonzalez

Up today, Tenner interview #6, with Christina Gonzalez, author of The Red Umbrella, to be released May 11.
Welcome!

 
CBR: What are ten words that best describe your book?

CDG: Secret plan, revolution, family, friendship, betrayal, separation, Cuba, Nebraska, red umbrella



CBR: What is one of your favorite sentences or paragraphs from your book?

CDG: It was a bright clear day outside. Not a cloud in the sky. I stared through the plane’s window at the palm trees in the distance. It didn’t seem real. Like a painting was hung inside the plane showing us a last glimpse of Cuba. I pushed my nose against the glass. Mamá and Papá were out there…somewhere.


CBR: Michelangelo once said, "What do you despise? By this you are truly known." What are ten things (smells, sounds, situations, etc.) you just can't stand?

CDG: I guess some are obvious choices: nails on a chalkboard, early morning alarms, stinky garbage, stinky soccer cleats, cleaning dog poo, babies crying hysterically, my children crying because they got hurt. Others are a little more peculiar: old water from a flower vase, lilies and high pitched whistles.


CBR: If you had to spend the rest of your life on a desert island, what fictional character would you take with you?

CDG: I’ll take Katniss from the Hunger Games/Catching Fire. She seems like a girl who can handle just about anything that is thrown at her.


CBR: Who are some authors that have inspired you?

CDG: Madeleine L’Engle and the writers who wrote under the pseudonym of Carolyne Keene

 
CBR: What book of the past ten years did you enjoy the most?

CDG: Too many to name



CBR: When you were ten years old, what did you plan to be when you grew up?

CDG: Probably a writer or a lawyer


CBR: If you could choose anyone, living or dead, what illustrator would you choose to illustrate your book?

CDG: Roberto Innocenti. I’ve seen some of his work and love it.



CBR: What would be your main character's theme song/some songs on the soundtrack for your book?

CDG: I have a playlist with the actual songs on my website, but I think my mc’s favorites would be Celia Cruz’s “Guantanamera” and Elvis Presley’s “All Shook Up”.


CBR: Could you give us any hints/teasers as to what your next project might be?

CDG: It’s a story about the Bermuda Triangle, Bahamian folklore, parallel universes and powerful talismans.



CBR: Thank you so much, Christina! Best wishes on your upcoming release and all the fun and stress that go along with it!

To learn more  about Christina and her novel, you can visit her website: http://www.christinagonzalez.com/
And watch her book trailer on YouTube!
 

Sunday, March 21, 2010

Reporter's Review: The Night Fairy, by Laura Amy Schlitz, illustrated by Angela Barrett


Candlewick, March 2010
Overall Grade: A+

When a sleepy bat mistakes her for a moth and takes a bite, Flory the night fairy is left wingless--and with one fear: bats. She decides to become a day fairy to avoid the creatures, but the day is not without its own dangers: squirrels, spiders, praying mantises...but Flory, always stubborn and resourceful, learns to survive and makes a home.
The Night Fairy is an ideal read-aloud for any children old enough to handle a few scary moments--the language is lyrical and descriptive, making it a pleasure for the adult reading as well as the child being read to. From the first lovely description on page one, "eyes that sparkled like blackberries under dew," to its humorous and endearing ending, this book is definitely one that fits into that "small gem" category along with its main character. I loved the wonderful world-building of fairy life--the petal dresses, the thorn dagger--I loved the humor and the cast of supporting characters, especially Skuggle, the most squirrel-like squirrel you will ever come across, I loved the adventure, I loved Angela Barrett's beautiful illustrations. The omniscient narrative voice was slightly off-putting; it came across as very obviously human and adult. I would prefer a firmer handle on the fairy perspective, but I will allow that this familiar narrator may make the story readily accessible and familiar to young readers.

Literary Quality: A+
Plot: A-
Voice: A-
Originality: A-
Descriptive Ability: A+
Humor: A
Illustrations: A+
Believability of Characters: A+
Believability of Situations: A+
Overall Reading Enjoyment: A

Possibly objectionable topics*: some moments may be scary for very young, sensitive readers

Thursday, March 18, 2010

Reporter's Review: The Last Summer of the Death Warriors, by Francisco X. Stork


Arthur A. Levine Books, March 2010
Overall Grade: A

At seventeen, Pancho has decided the last thing he needs to do with his life: kill the man he thinks responsible for the death of his sister. It's not so simple, though...first he has to figure out who exactly the man is, how to find him, and how to get past the annoying, aggravatingly happy D.Q., another teen boy with a mission of his own: live life to the fullest in his last months...before he dies of brain cancer. And...honestly...I can't do justice to the plot here. Throw in some conversations about life, death, faith, love. Mix up with heart-wrenching backgrounds, wise children, foolish adults, and sucking every drop of marrow from life.
As my little synopsis probably makes clear, The Last Summer of the Death Warriors is one of those fathoms-deep, meaningful stories that you rarely come across in YA lit. It is also an extremely subtle story--almost too subtle for my taste (the ending didn't feel wrapped-up enough for me), yet I love the way it left me thinking after I finished it. I can guarantee that it will make you question the way you're living your life, embrace the beauty of every day, and appreciate things you never thought to notice. You will never forget Pancho and D.Q. or the friends they make on their journey--Francisco Stork is a master at character and relationship development, and these aspects of the story are truly what make it shine. Even every description, although technically all of them are extremely basic and simply worded, serves to develop character--and does so perfectly.
As a bit of a warning, this is a very difficult book to read...certainly not in actual pacing or readability, but simply because it delves into topics and a world that are hard to be in. This is not a story to be read casually, and it is certainly for mature readers who can handle its issues. Yet it is a beautiful book, and it is an important book.

Literary Quality: A-
Plot: B+
Voice: A+
Originality: A+
Descriptive Ability: A-
Humor: n/a
Illustrations: n/a
Believability of Characters: A+
Believability of Situations: A+
Overall Reading Enjoyment: A

Possibly objectionable topics*: Serious issues, such as death, sex, alcohol, drugs. Harsh language. A lot of all of the above.

Monday, March 8, 2010

Author Interview: Jame Richards

Today we welcome fabulous Tenner number 5: Jame Richards! Jame's novel, Three Rivers Rising:
A Novel of the Johnstown Flood
, will be published by Alfred A. Knopf on April 13, 2010.


CBR: What are ten words that best describe your book?
JR: Cross-class romance, disowning, power, accountability, action, disaster, change, rebuilding

CBR: What is one of your favorite sentences or paragraphs from your book?
JR:
Peter
The sunset competes with the red glow over Johnstown.
And I know,
at any given moment,
metal is liquid fire
lighting the night sky,
becoming steel
that will build tracks
to anywhere she might be.
It will build bridges between the glittering stars
and the likes of me.

CBR: Michelangelo once said, "What do you despise? By this you are truly known." What are ten things (smells, sounds, situations, etc.) you just can't stand?
JR: I hate the smell of wet dogs.
I hate the smell/taste/sensation of a temporary crown falling off.
I hate the smell of hot dog water.
I hate honking horns.
I hate the cold.
I hate the cold.
I hate the cold. (Apparently I always say it three times!)
I hate getting my car’s oil changed.
I hate being trapped.
I hate the phone and its infernal ringing.

CBR: If you had to spend the rest of your life on a desert island, what fictional character would you take with you?
JR: Katniss from The Hunger Games. What other answer could there be? Hopefully she’ll have a lifetime supply of contact lens solution with her.

CBR: Who are some authors that have inspired you?
JR: Patricia Reilly Giff, Karen Hesse, Edith Wharton, Jane Austen, Judy Blume, Louise Erdrich, Sandra Cisneros, Jacqueline Woodson, Anne Lamott, Sue Bender, Lisa Ann Sandell, Jennifer Roy, Helen Frost, David McCullough, J.M. Synge, L.M. Montgomery, Ibtisam Barakat, Naomi Shihab Nye

CBR: What book of the past ten years did you enjoy the most?
JR: Nory Ryan’s Song and Maggie’s Door by Patricia Reilly Giff: I’m counting them as one because I devoured them together all in one gulp. I had chills and goose bumps the whole time knowing I was witnessing a masterpiece.

CBR: When you were ten years old, what did you plan to be when you grew up?
JR:I loved to draw. Faces. People. Dresses. So I thought I’d be a designer since that’s the only job where you get to draw people. I was always fascinated to see personalities and emotions emerge when I drew someone I thought was only from my imagination. Sometimes I thought I knew their stories. Or even what they would say if they could speak. Writing is the same way. I draw with words now, of course, but I still love to be surprised.

CBR: If you could choose anyone, living or dead, what illustrator would you choose to illustrate your book?
JR: If I had a picture book, I would love to see it illustrated by Anita Lobel (Allison’s Zinnia), Betty Fraser (The Cozy Book), Mari Takabayashi (Flannel Kisses) or Kristina Swarner (One White Wishing Stone).
Even though I can imagine a big beautiful illustrated edition of Three Rivers Rising, I don’t have a specific illustrator in mind, someone who can do epic realism.

CBR: What would be your main character's theme song/some songs on the soundtrack for your book?
JR: I don’t know a great deal about music from the late 1800s, but it would be instrumental and filled with longing.

CBR: Could you give us any hints/teasers as to what your next project might be?
JR: Two ideas from Three Rivers Rising seeped into my next project. Tea leaves. And typhoid.
Set it in Ireland and Brooklyn. Mix in talk of fairies and the gift of seeing. Put it all in motion against the backdrop of young Irish women working as domestics, otherwise as known as “Bridgets.” Yeah, someday I’ll write a nice straight-forward uncomplicated book, but this isn’t it.
CBR: Thanks, Jame! I'm sure I'm not the only one counting down to release date--best wishes for everything! (And be forewarned that if you do a book signing in my area, I'm showing up. :)
To learn more about Jame, you can visit her at: www.jamerichards.com or http://jamerichards.blogspot.com

Friday, February 26, 2010

Reporter's Review: The Summer of Moonlight Secrets, by Danette Haworth


Walker Books, to be released June 2010
Overall Grade: A-/A

Allie Jo fears that summer with her best friend away is going to be miserable—but she didn't expect that helping her parents work at the Meriwether Hotel in Hope Springs, Florida, would bring her a few new friends: a sweet girl named Sophie, a skateboard-loving boy named Chase, and a beautiful girl named Tara with a mysterious penchant for moonlit swims...and maybe that's not the only mystery surrounding her...
There's something about a big, old house, a bunch of kids, and a mystery that made the perfect ingredients for a kids' book. There's a long history of books that fit into this sub-genre: The Lion, the Witch, and the Wardrobe; The Children of the Green Knowe; now, The Summer of Moonlight Secrets. Danette Haworth created a cast of lovable, believable characters, and put them in an absolutely incredible setting. The Meriwether is bursting with secret passages, hidden rooms—it's the perfect place to hide a secret, so it isn't too surprising that secrets abound. These secrets, and the characters themselves, move the plot forward to an exciting, touching climax.
My critique of the book would be that certain plot elements (Chase's mom and Chase's relationship with Sophie, in particular) are very built up in the beginning, to be left rather vague by the end. They serve well as plot-propellers, but didn't tie up into a perfectly satisfying ending. Also, in terms of pacing, once the danger arrives at the book's climax, everything is resolved a little too quickly for my taste. I felt that if the danger had presented itself sooner or lasted longer, the tension and pacing would have been perfect.
Altogether, The Summer of Moonlight Secrets is an enchanting story for middle grade readers, and, who knows? It might be at the start of a new fantasy trend—you'll have to read to find out what.

Literary Quality: A-
Plot: B
Voice: A-
Originality: A+
Descriptive Ability: A
Humor: A
Illustrations: n/a
Believability of Characters: A
Believability of Situations: A
Overall Reading Enjoyment: A

Possibly objectionable topics*: broken family, kidnapping

Sunday, February 21, 2010

Reporter's Review: Cosmic, by Frank Cottrell Boyce


Harper Collins (Walden Pond), January 2010 (U.S. date)
Overall Grade: A

Ever since he was a little kid, Liam wasn't little. By the time he turns twelve, he's way taller than his dad, let alone his classmates. He has to shave. Everyone mistakes him for an adult—and he hates it. Until...he's the only kid allowed to ride the new super ride at the amusement park...and adults treat him with respect...and he (almost) gets away with test-driving a Porsche. And he somehow cons his way into being the “parent chaperone” to the first four kids in space. Which is absolutely cosmic, as he would say—until the kids start acting like typical kids and break the ship. What they need is a dad to come rescue them—but Liam is the only dad they've got.
You come across a few books in your lifetime that really surprise you. You come across a few that make you laugh until you're crying. You come across a few that have such profound depth and meaning that when you finish them they settle into your gut so you'll always remember the way you felt reading them. You hardly ever come across one that embodies all these qualities; Cosmic is such a book. I finished it a week ago and held off writing the review so I didn't just gush meaninglessly (I did that to my family and friends). Now that I've stopped raving, here are my more organized thoughts:
To start with the negative (note the use of the singular), the structure was confusing. Liam begins telling his story to his parents from space, through recording himself on his phone—which makes for a very cool opening. But once we get to the point in the story where he began telling it, there is a disconnect. The time and circumstances have to be reestablished a few times, which can be disorienting. Unfortunately, it felt that a story which could more simply have been told in past tense after it was all over, began in the middle for the sake of a killer opening paragraph.
That said—deal with the confusion. Seriously. Because... we're on to the positives: brilliant voice, wonderful humor, the coolest tribute to Roald Dahl ever. (You'll have to figure it out yourselves.) If you like Science fiction, you'll be impressed by the author's attention to research and detail; if you don't, you'll still love Cosmic for the characters, the story, the subtlety with which a very important message is conveyed.
Ok, I'm going to go gush to my family some more now.

Literary Quality: B (for the aforementioned confusing structure—and that alone.)
Plot: A+
Voice: A+
Originality: A+
Descriptive Ability: A
Humor: A+
Illustrations: n/a
Believability of Characters: A
Believability of Situations: A
Overall Reading Enjoyment: A

Sunday, February 7, 2010

Reporter's Review: Operation Yes, by Sara Lewis Holmes


Arthur Levine Books; Fall 2009
Overall Grade: A-

Miss Loupe is the new sixth grade teacher at a school just outside a Air Force base in North Carolina; Bo Whaley is the base commander's well-meaning, trouble-making son; Gari Whaley is Bo's cousin whose mother is deployed in the Middle East; the whole sixth grade class is a group of individuals who are waiting for something to turn their lives into something...meaningful. That something may be Miss Loupe's crazy ideas about improv theater and the practice of saying, "Yes, and..."--crazy smart ideas which show a group of disconnected kids how to make their lives and themselves a true piece of art.
Having spent a large part of my own childhood as a "military brat" (Sorry, dad...I know you don't like that term--neither does this book's author, seemingly, so you're in good company...), Operation Yes really resonated with me, and I feel it provides a fascinating look for civilian kids into a virtually untapped setting and group of characters. I did find the initial pacing somewhat slow; it took a while to get to a real "plan" on any character's part. The multiple POV's may have accentuated this; to me, what propelled the story was the relationships, rather than any one character or plot element. On that note, however, the relationships were exceptionally well developed and believable. I loved the way the theme was exposed, and the improv theater stuff--so cool and original.
On a final note, I have to offer my sincere thanks to Ms Holmes for so beautifully representing her character's muddled thoughts regarding war. Long-time followers of this blog know how much it bothers me when an author uses her characters and plot as mere vehicles to forward an agenda; far to the contrary, I think Operation Yes offered a balanced, true presentation of how most kids stuck in the middle of it actually feel about war. Ms Holmes presents the facts, simple as that, followed by her character's reactions to them, and allows her readers to draw their own conclusions. So, thank you!

Literary Quality: A-
Plot: A-
Voice: B
Originality: A+
Descriptive Ability: A-
Humor: A-
Illustrations: n/a
Believability of Characters: A+
Believability of Situations: A+
Overall Reading Enjoyment: A-

Possibly objectionable topics*: war-related injury and violence (not directly related, but through dialogue)

Friday, January 22, 2010

Reporter's Review: Scones and Sensibility, by Lindsay Eland


Egmont, December 2009
Overall Grade: A-
Indeed, love is in the air for one Polly Madassa, a reader of most elegant books and daughter of the owners of a quaint and lovely bakery. Determined to find matches for her friends and family befitting the romantic ideals set forth in her favorite books (Anne of Green Gables and Pride and Prejudice—hey, the girl's got taste;), Polly takes it upon herself to manage a little matchmaking. When things go awry, however, she finds herself in the depths of despair...will she be able to right the terrible wrongs she has committed?
Scones and Sensibility is a must-read for all those girls (you know who you are) who always wished they could be Anne of Green Gables. (Oops, did my hand just jump into the air? Sorry.) Polly is a delightful, extremely memorable character, just like her heroine. There are moments when the story's and characters' believability is called into question; chiefly this stems from the unique way Polly narrates her story in first person. Her thoughts and commentary are all told to the audience in the archaic, flowery, adjective- and adverb-laden speech she admires, and which she uses. Because we have a constant dose of the strongest examples of that, it seems at times that Polly's friends and family should be more startled/annoyed by it than they are...however, that reaction—the rolled eyes, the confused stares, etc.--is there if you look. The only actual flaw may have been that Polly, as she was narrating, did not point out the emotional moments where she lapses into modern speech (except in one instance); she leaves it to her audience to draw their own conclusions, the classic show-don't-tell theory...but Polly would tell. That's just the kind of girl she is. Perhaps this is a case of the factor that makes a story lovable (that unique, kinda crazy voice) also making it difficult for some readers to follow.
Nonetheless, I love the idea, that wonderful exploration of what a girl could end up like if she took storybook romance too much to heart—and I love the conclusion that is reached, that ultimately, true love does exist and is even better than storybook love.
Literary Quality: B+
Plot: A-
Voice: A
Originality: A-
Descriptive Ability: A-
Humor: A+
Illustrations: n/a
Believability of Characters: B-
Believability of Situations: A-
Overall Reading Enjoyment: A

*Possibly objectionable topics: broken families